Friday, November 29, 2019

When More is Loess-er!


 This Sunday, More is Less...well, Loesser, anyway!
Yup, the songs and shows of Frank Loesser,
born in 1910, raised on 107th Street in Manhattan.
Frank's father taught classical piano (tho not to Frank!)
and his brother, Arthur, became a concert pianist.
But Frank taught himself the piano (and the harmonica),
got expelled from high school AND college...
and yet it's him we remember. :)

 At first, lyrics were Frank's game;
he collaborated with the likes of Arthur Schwartz,
Hoagy Carmichael, Jule Styne, and Burton Lane
to produce songs like "Two Sleepy People,"
"I Don't Want To Walk Without You,"
and "Heart And Soul."
He would write song lyrics used in over 60 Hollywood movies!
During WWII, Frank was assigned to Special Services,
and he spent his time writing lyrics (and often melodies) 
for army camp songs.

 Above, Frank with his first wife,
Lynne Garland,
with whom he would perform his song
"Baby, It's Cold Outside"
at swanky parties...
"That song kept us in caviar and truffles" Frank would later state.
He sold the song to MGM, for use in the movie, Neptune's Daughter;
it won an Oscar for Best Original Song in 1949,
 but garnered him no such awards from Lynne.

 Frank with Wife #2:
Jo Sullivan,
who played Rosabella, in The Most Happy Fella.
Yup, Lynne was ditched during the course of that musical,
even tho she was an executive producer of the show.

 Frank's first over-the-top Broadway smash:
Guys And Dolls, 
Best Musical of 1951.
Above, Robert Alda and Isabel Bigley,
below, Vivian Blaine and Sam Levene.
 Isabel was the one Frank once slapped during rehearsal...
evidently she wasn't singing loudly enough.
Flowers and candy followed on apace.




 And shots from the movie version, done 5 years later.
"Pet Me Poppa" (above) and "Take Back Your Mink" (below)
both featured Vivian who reprised her role as Miss Adelaide.



 The Guys And Dolls of the movie:
Marlon Brando, Jean Simmons, Frank Sinatra, and Vivian Blaine.
 Frank supposedly had a lot of "fun" working with Marlon. 

 Nathan Lane (center) as Nathan Detroit
(yes, he took his stage name from one of his favorite
musical comedy characters!),
and (below) Faith Prince as Adelaide,
in the 1992 revival. 




 Another Frank goodie:
How To Succeed In Business Without Really Trying,
a 1961 Pulitzer Prize and Tony winning show.
Above, Robert Morse "believing in himself" in the 1966 movie,
and below, J.B. Biggely (Rudy Vallee) with Robert's
Pierrepont Finch.



 The "Paris Original" number above,
and "Been Along Day" below...
Robert, Claudette Sutherland, and Bonnie Scott.



 In between Guys and How To,
Frank wrote what some would call an opera,
given its 40 songs!
The Most Happy Fella,
for which Frank did the music, lyrics, AND the book.
Above, Sue Johnson and Shorty Long, who played the secondary couple,
 and below,
leads Jo Sullivan and Robert Weede.
Robert (who played...well, the most happy fella!) 
was an actual opera star, 
so even if it WAS an opera...no worries for Robert!


 We'll also hear some artists who've done exceptional jobs
recording the songs of Frank Loesser,
like Andrea Marcovicci, above...


Judy Kuhn...

 ...and Tom Wopat and John Schneider,
who did their own Hazzard-ous version of 
"Baby, It's Cold Outside" on their Christmas album.

 Pardon the fuzzy pic above,
but that's Betty Hutton mid-Hamlet,
a novelty song Frank wrote for the film,
Red, Hot, And Blue, from 1949,
starring Betty and Victor Mature (below).
Frank had a small part in the movie, too,
playing Hair-Do Lempkie (???)
and wrote 4 songs for the film as well. 

The glamorous side of Betty!

Frank passed away in July of 1969
from lung cancer.
Almost 4 decades of song-writing
and Broadway show creation.
He was 59 years old. 

Monday, November 25, 2019

Playlist For December 1, 2019: More (or Less) Loesser

The holiday season is upon us! Whether you want it or not, it's that Fa La La time again on radio stations, in Walmart aisles, and on your Amex bill. Seems as tho it was just Thanksgiving...wait, it ISN'T EVEN Thanksgiving. It all starts in August, I guess, just after you buy your argyle knee-highs and spiffy new pencil box (do they even SELL pencil boxes anymore?)(I know, I'll ask for one from Santa!), and then WHAM! They start shoving the Labor Day Sales off the counters, and get the flocking out. And boy can they flock!

  This

 or maybe this, Santa.



 Last week I did a (sorta)(pretend) Thanksgiving edition of 2 On The Aisle, and in about 3 weeks I'll do Christmas Broadway (and Hannukah! Spent in Santa Monica!), but we are now in the Limbo Between, so I will take full advantage of that fact and play...Frank Loesser. Frank is one of my favorite Golden Age composer/lyricists, so why not take 2 hours and do the oldies, the over-played, yet dear-to-my heart Loesser Songbook? Guys. Dolls. Pierreponts. Rosemarys. Joey Joey Joeys. Plus Betty's Hamlet, and Frank himself with the song that got him an actual membership in The Plumbers' Association: Bloop Bleep. So it'll be Broadway at its Loesser Best.




I'll cheat a bit (don't I always?) with a smidgen of Gershwin, and a theme or 7. Is that disloyal, Frank? Best (Broadway) intentions, pal. Baby, it'll be cold outside, so listen in on Sunday, while maybe you scarf down that turkey club or write that Santa letter. Put your heart and soul into it. I will! :)


If I Were A Bell (Josie De Guzman, Guys And Dolls)
The Crapshooter's Dance (Instrumental, Guys And Dolls)
Pet Me Poppa (Vivian Blaine, The Hot Box Girls, Guys And Dolls)
My Time of Day (Peter Gallagher, Guys And Dolls)
Sue Me (Faith Prince, Nathan Lane, Guys And Dolls)
The Most Happy Fella (Robert Weede, Ensemble, The Most Happy Fella)
Standing On The Corner (Shorty Long, The Most Happy Fella)
Sposalizio (Company, The Most Happy Fella)
Delishious (Bobby Short, Bobby Short Is K-RA-ZY For Gershwin)
Do It Again (Judy Garland, Live At Carnegie Hall)
Long Ago And Far Away (Michael Feinstein, Romance On Film, Romance On
       Broadway)
Been A Long Day (Bonnie Scott, Robert Morse, Claudette Sutherland,
       How To Succeed In Business Without Really Trying)
Paris Original (How To Succeed In Business Without Really Trying)
Brotherhood Of Man (Robert Morse, Company, How To Succeed In
       Business Without Really Trying)
Elegance (Charles Nelson Reilly, Eileen Brennan, Jerry Dodge, Sondra
       Lee, Hello Dolly!)
Class (Chris Sarandon, Nick & Nora)
Class (Gwen Verdon, Chita Rivera, Chicago)
Doesn't That Mean Anything To You? (Andrea Marcovicci, If I Were A Bell -
       The Songs Of Frank Loesser) 
Heart And Soul (Jason Graae, Ensemble, Forever Plaid)
Bloop Bleep (Frank Loesser)
Hamlet (Betty Hutton, Red Hot And Blue)
Bells Are Ringing (Ensemble, Bells Are Ringing)
I Can Hear The Bells (Marissa Jaret Winokur, Hairspray)
I Hear Bells (George Lee Andrews, Starting Here, Starting Now)
Ring Them Bells (Liza Minnelli, Liza With A Z)
Baby, It's Cold Outside (John Schneider, Tom Wopat, Home For Christmas)
I Don't Want To Walk Without You (Judy Kuhn, Just In Time)
What Are You Doing New Year's Eve? (Andrea Marcovicci
        If I Were A Bell - The Songs of Frank Loesser)
Never Will I Marry (Judy Garland)
Joey, Joey, Joey (Leslie Odom Jr., Leslie Odom Jr.)
I Believe In You (Frank Loesser, An Evening With Frank Loesser)
If I Were A Bell/Take Bake Your Mink (Faith Prince, Ensemble,
       Guys And Dolls)

Friday, November 22, 2019

Thanks for More Things!

As the movie poster says,
"What the Dickens have they done to Scrooge?"
Albert Finney starred as Ebenezer in this 1970
musicalized Christmas Carol. 
Alec Guinness portrayed Jacob Marley,
Edith Evans was the Ghost of Christmas Past,
and Laurence Naismith (who played Chris Kringle in Here's Love)
was Mr. Fezziwig.

We'll hear the song that was nominated for
for the "Best Original" Tony award in 1971...
"Thank You Very Much!"
And that song/score written by Leslie Bricusse.
The movie has since been staged,
and performed at the Palladium with 
Anthony Newley as Scrooge
(and subsequently, Tommy Steele did the honors).
 


Ann Harada as Christmas Eve, and Stephanie D'Abruzzo as
Kate Monster (Stephanie holding Kate below)
were part of the original cast of 
Avenue Q.
The show won Best Musical, Book, and Score Tony Awards 
back in 2004.
Puppets designed (and built!) by cast member, Rick Lyon.

The musical played more than 2,500 performances
on Broadway,
then moved off Broadway for 10 more years!
The NYTimes review went something like this: 
" ...how Friends might be if it had Fozzie Bear and Miss Piggy arguing about their one-night stand, 
but with more angst, expletives and full-on puppet sex."
We'll hear Ann and Kate/Stephanie with
"The More You Ruv Someone".




In our MORE section on Sunday...
Linda Hurt as Velma Von Tussle sings
"Miss BaltiMORE Crabs"
from Hairspray.
That's Linda above, and with her bevy of "acceptable" dancers
for the Corny Collins show, below,
including Laura Bell Bundy, near left, who played Amber.

Gotta quote the Times again, cuz this Ben Brantley nugget says it all:
"So what if it's more than a little pushy in its social preaching? 
Stocked with canny, deliriously tuneful songs by 
Marc Shaiman and Scott Wittman 
and directed by Jack O'Brien with a common touch 
that stops short of vulgarity, 
'Hairspray' is as sweet as a show can be without promoting tooth decay." 




In our goofy finale this Sunday,
we'll feature John Behlmann's over the top solo, 
"This Thing"...
that's him on the left, posing with cast members of Tootsie:
John, Julie Halston, Sarah Stiles, Santino Fontana, 
Lilli Cooper, Andy Grotelueschen, Michael McGrath, and Reg Rogers.
Music: David Yazbek. 

Prior to Tootsie,
John performed in plays, films and television...
All My Children, 39 Steps, The Wolf Of Wall Street, etc.,
and has lent his voice to video games, 
like World Of Warcraft.


At curtain call, 
John (center) reveals his Dorothy Michaels' tattoo,
as do other members of the ensemble. 
Yup, it looks infected. :)

Monday, November 18, 2019

Playlist For Sunday, Nov. 24th, 2019: Over the river, to cocoanut cream!

 A listener, just fresh from a class in heraldry (wha...?), has offered (maybe)(if I spin the right Broadway?) to render me a coat of arms. To include items depicting MOI! No doubt it will have a bike, a mic, a boa, and either a soupcon of coffee or gin toddy as (just some!) of its many symbols. Wouldn't that be marvy? It occurs to me that we ALL should have one, in Size XL, to hang above the mantel and toast to, on sodden moor-ish nights with flames licking the ...mantel. Whatever. Sounds brilliant!


 Definitely not mine.
Note kangaroo.
Note no boas.
 Tho I do like the air of air-rogance.

But moving on.

Okay, so just consider this the Broadway Thanksgiving Show, like the Macy's parade only smaller, less visual...in fact not like a parade at all, just full of ego and WANTING to be parade. (And btw, don't rain on it.) A meek little radio show with nary a few thankful songs, because Broadway seems pretty challenged to come up with a goodly share of Thanksgiving music, lemme tell ya. Not that many "Over The River and Through The Woods" kinda tunes. Just Oliver's "Food" and Scrooge's "Thank You Very Much." Voila: Done.


 Nice goblet, Albert!

So we will make hay (and other vegetarian side dishes) with themes about MORE and A LOT and a few lullabies (when the turkey tryptophans kick in), plus a few goofy numbers to wake you up again for that turkey sandwich and extra piece of my Aunt Maggie's cocoanut cream pie around 9pm. Well, that's what my grandpa always wanted. (His nickname was Wild Bill. Surprised? What a coat of arms HE would have had!)

 Not me.
But almost. :)
So Happy Thanksgiving, and even if you don't celebrate it, have a hopefully long weekend, with a minimum of frantic shopping. Stop and smell the pumpkin, drink the nog, put your feet up...and contemplate that damn coat (of many "colors")!


Food, Glorious Food (Ensemble, Oliver!)
Thank You Very Much (Anton Rodgers, Albert Finney, Scrooge)
We Want To Thank You Herbert Hoover (Ensemble, Annie)
Thanks For The Memory (Bob Hope, Shirley Ross, The Big Broadcast Of 1938)
Thank You So Much (Elizabeth Allen, Sergio Franchi, Do I Hear A Waltz?)
Oliver! (Willoughby Goddard, Bruce Prochnik, Oliver!)
If I Could Give You More (Harry Connick, Jr., Blue Light, Red Light)
It Couldn't Please Me More (Lotte Lenya, Jack Gilford, Cabaret)
Much More (Rita Gardner, The Fantasticks)
A Lot Of Livin' To Do (Dick Gautier, Bye Bye Birdie)
She's Got The Lot (George S. Irving, Irma's Admirers, Irma La Douce)
A Lot Woise (Jeff Blumenkrantz, Brett Ryback, Murder For Two)
A Lot Of Livin' To Do (Patti LuPone, Don't Monkey With Broadway)
His Name Is Lancelot (Hank Azaria, Christian Borle, Spamalot)
Moonshine Lullaby (Bernadette Peters, Annie Get Your Gun)
Tender Shepard (Margalo Gillmore, Kathleen Nolan, Ensemble, Peter Pan)
Itzik's Lullaby (John Cariani, George Abud, The Band's Visit)
No Lullabies For Luis (Josie De Guzman, Ray Contreras, Company,
     Runaways)
Lullaby Of Broadway (Jerry Orbach, Wanda Richert, Company, 42nd Street)
Once In The Highlands/Brigadoon (Instrumental, Brigadoon)
I'll Go Home With Bonnie Jean (Jimmy Thompson, Gene Kelly, Van Johnson,
       Brigadoon)
The Heather On The Hill (Gene Kelly, Brigadoon)
What More Do I Need? (David Campbell, Lauren Ward, Ensemble,
       Saturday Night)
A Little More Mascara (George Hearn, La Cage Aux Folles)
The More You Ruv Someone (Ann Harada, Stephanie D'Abruzzo, Avenue Q)
More I Cannot Wish You (John Carpenter, Guys And Dolls)
The More I See You (Michael Feinstein, Romance On Film, Romance On
       Broadway)
(The Legend Of ) Miss Baltimore Crabs (Linda Hart, Hairspray)
This Thing (John Behlmann, Tootsie)
Ruffhousin' mit Shuffhausen (John Lithgow, Norbert Leo Butz,
       Dirty Rotten Scoundrels)
Transylvania Mania (Christopher Fitzgerald, Roger Bart, Sutton Foster,
       Villagers With Torches, Young Frankenstein)

Friday, November 15, 2019

Who, you ask? Maybe one of these folks!

Barbra Streisand was 22 when she was cast in
Funny Girl,
playing a young Fanny Brice
(well, a slightly fictionalized Fanny, but...).
Music, Jule Styne, Lyrics, Bob Merrill.
The show was produced by Ray Stark,
Fanny's son-in-law,
and opened on Broadway in 1964,
despite 3 changes of director
(Gower Champion, who quit, then Bob Fosse, who quit,
and then finally, Garson Kanin,
who Babs wanted fired).

The part of Fanny was first offered to 
Anne Bancroft, then Eydie Gorme, then Carol Burnett.
Despite Jule Styne's objections,
Ray Stark hired Babs,
who he had seen in I Can Get It For You Wholesale.
Eight Tony noms altogether,
but Hello, Dolly! scooped 'em all!

Above Danny Meehan, Babs, and Kay Medford.
Kay played Fanny's mother...
and below a pic of a young Kay. Wowsers!
We'll hear 2 Whos from this show:
"Who Are You Now?" and "Who Taught Her Everything?"

Who Can He Turn To?
Anthony Newley and Cyril Ritchard, above, in
The Roar Of The Grease Pain, The Smell Of The Crowd.
With music by Anthony and Leslie Bricusse,
it opened in London ALSO in 1964!
It sailed across the big blue thing to Broadway
the very next year,
where it was nominated for several awards,
including Best Musical...
but again Dolly got her way with Tony!

Anthony and Leslie also penned the score for
Stop The World - I Want To Get Off,  Willie Wonka and the Chocolate Factory,
and several songs of note,
like "Feeling Good", and the theme song for Goldfinger.
Anthony's performance history
included acting, singing and songwriting for 
radio, films, Broadway, the West End,
and television appearances.
He passed away at the age of 67.



With Cyril Ritchard in the Broadway production of Roar!


Bob Fosse cast Roy Scheider to play Joe Gideon
in All That Jazz, 1979.
The movie was supposedly inspired by Fosse's attempt
to complete his film Lenny,
and simultaneously direct and choreograph the musical Chicago.
Let's talk stress.
No, Scheider wasn't a dancer,
but his portrayal of the Fosse-like character 
was spot on. 
Said Vincent Canby of the NYTimes:
"A key to the success of the production
 is the performance of Roy Scheider as Joe Gideon... 
With an actor of less weight and intensity, 
All That Jazz might have evaporated as we watched it."

See where stress can lead?


Also starring:
Leland Palmer, Erzsebet Foldi, and Ann Reinking, below.
We'll hear that trio sing to Joe...
"Who's Sorry Now?"




Judy Garland in Till The Clouds Roll By,
above and below,
will have another WHO for us on Sunday:
"Who (Stole My Heart My Heart Away)?"
It was written back in 1925
by Jerome Kern, Otto Harbach and Oscar Hammerstein
...then placed in the musical Sunny, come 1930.
A third resuscitation came in 1946
with the MGM movie, (almost) based on the life of Jerome Kern.